Of all the thousands of great paintings in Venice, the favorite of my grandchildren is Vittore Carpaccio’s Saint George and the Dragon in the Scuola San Giorgio degli Schiavoni. One of a series of three depicting the life of Saint George, it’s extremely gory, with half-chewed remains of bodies strewn around the ground.
A similar but rather less repellent work, Saint George and the Dragon and Four Scenes of His Martyrdom, from Venice’s Abbazia di San Giorgio Maggiore, can
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